Wednesday, April 30, 2025

Italy - 2200 Years and Counting 2025-04-29

Another warn sunny day greeted us as we walked to the train station in the late morning to catch the train out to Carrara for a tour of the marble quarries. Prized for its unveined white color and fine crystaline structure, the marble has been extracted from these quarries for 2,200 years. The marble for Michelangelo's David and Pieta came from these quarries, as have countless statues from Roman times. There are approximately 165 quarries, about half are privately owned. The balance are owned collectively by the town of Carrara.



Luca picked us up at the train station and we joined three other folks for the tour. The drive through Avenza and Carrara was nice enough, with a brief pause at the post office. Built during Mussolini's rule, the building is clad entirely in marble including the two statues at the entrance representing the workman and the artisan.



The road to the quarries is publicly accessible, up to a point. We were fortunate that we pretty much had the quarries to ourselves that day. A worker had been killed in an accident the day before, so there was no work being done. Our first stop was at a small gift shop, where Luca demonstrated the progression of mining techniques, from hammers and chisels, to steel wire, to diamond intertwined steel cable. The marble is dense; that small chunk of marble in front of Luca weighs almost 90 pounds.



The quarries are connected by roads that go up, around, and through the mountains. Most are single lane, and some barely qualify as single lanes.



This was an unusual stop mid-tour. Lard tasting? It is not as disgusting as it may sound. The lard is pork back fat, rendered and seasoned, and cured in Carrara marble troughs for six months. Served on a slice of bread with some tomato; it is quite delicious.



This is "Five arch bridge" that we drove over to the lard tasting.




More tunnels


Looking across the valley, you can see the "hole" in the wall where they filmed parts of The Brutalist. Luca was able to sign on as crew, and shared pictures of Adrian Brodie and other actors as well as setting up for filming.



The tour had a permit to go beyond the public road and take us to parts of the quarry that would have otherwise been active work areas. This part was referred to as Michelangelo's quarry, where he sourced his marble centuries ago. The equipment is huge!



The scale of the place is overwhelming. 





Blocks in waiting.



Cutting slabs. The first step is the yellow machine sawing out the bottom to about three meters in. then vertical holes are drilled at each end of the cut to run the diamond encrusted wire in a loop to make the vertical cut. lastly, the ends are sawn, followed by a machine that will force the crack open until the slab tips over onto a bed of gravel where it will be cut into smaller blocks.



In order to preserve the landscape and maximize output, some of the quarrying is done in tunnels. These tunnels are massive and extend for hundreds of meters under the mountain.



Close up of the diamond-tipped drill that is used for drilling holes for cutting the larger slabs. It was just sitting there in a small cart. We are so glad that it was a no-work day - I doubt we would have been able to spend so much time just wandering around.



The rain came in the afternoon and we were not able to explore the town for dinner. This was at Tattoria la Carrabacca, just south of the Florence train station.




Tuesday, April 29, 2025

Italy - Now what? 2025-04-28

 


Hallelujah - another beautiful sunny day in Florence. There's an international art market at Fortezza de Basso which was a stronghold and now is a historic campus with opportunities for community engagement on a larger scale than the old city center can accommodate. It's not even a mile from our condo, so we walked the back streets of the neighborhood. You can't swing a handbag without hitting a local church.




Ironically, I took no pictures of the fortress, but I got these cool light and shadow pics from the art installation. I just adored the lights made from books and cameras. Reduce, reuse, recycle.




Exhausted from 'arting' we made a quick trip to the grocery and spent the rest of the day relaxing - well I worked on all these blog posts - and reading and just enjoying being.

Meanwhile, Jeri and Kit were starting their cruise


and our friends Jack and Ahliana made it to Nice, France. We will be meeting them in Arezzo on Friday.



Italy - and on the 15th day, they rested 2025-04-27

 


No alarm, no plans other than laundry and a trip to the grocery store, reading and napping.

Italy - I was unprepared 2025-04-26

 How it started:


Ivrea (Evraya) is the home to Olivettti - the typewriter company. I have a fondness in my heart as I learned on one as well as a Royal. The hotel had a great display.



Ivrea felt like someone shrunk Denver - complete with mountains and streams - and 'Italianated it" I liked Bergamo. I liked Como. I LOVED Ivrea. Totally smitten. Ivrea really is easy.



I finally had an Affogato - gelato and espresso - pistachio of course! And an Ivrean sweet roll.


Hanging out at the river - kayakers were enjoying the course - much like the Confluence at Denver. 





The town is filled with public art, lovely piazzas and enough history to explore for days.















Way too soon we had to leave this idyllic city and return to Milan to catch our train back to Florence. We stopped at Sforza Castle again and this time, I completed my Pokeman set of Pietas.




The Pieta was labeled and 'experience' and it was definitely that. Once ushered into a room with wooden benches and a simulated piece of marble in front of a black screen, the lights are not just dimmed but it's a black out. 



Following the darkness, sacred music is started and lights illuminate the statue from different perspectives. It's a reflective time to take in the music, art and silence of this amazing piece. We see here a much emaciated Jesus and Mary who are both clearly in pain, which is unlike the robust versions in St. Peters and Galleria. After about 20 minutes, you are allowed to get up and take pictures before being ushered out of the room.  It was magical.




Then we took the train to Florence and said goodbye to Kit and Jeri so that they could get on their cruise.